A Hundred and Seventy Chinese Poems

Metadata

Gutenberg ID

42290

Title

A Hundred and Seventy Chinese Poems

Language

en

Book source

Project Gutenberg

Description max 80 words

Arthur Waley's 1918 collection offers seventy Chinese poems, ranging from ancient folk songs to Tang dynasty verses by Po Chü-i. Translated with care to avoid prior versions, the book captures themes of friendship, parting, nature, and philosophical reflection, presenting a tranquil counterpoint to Western romanticism.

Summary up to 500 words

Arthur Waley's 1918 collection, *A Hundred and Seventy Chinese Poems*, offers a curated introduction to classical Chinese literature, spanning from the Han dynasty through the early Tang period. The volume is structured into two distinct parts: the first features works ranging from folk songs like "The Orphan" and "Burial Songs" to the nature-focused verses of Tao Ch'ien, while the second part is dedicated entirely to the great poet Po Ch'ü-i (772-846). Waley's selection process was deliberate; he sought to avoid previously translated works unless earlier versions contained errors or were inaccessible, ensuring that readers encounter fresh interpretations alongside six essential poems previously rendered by Professor Giles. The collection illuminates a literary tradition where poetry excels in reflection rather than speculation. Unlike European poets who often center their work on romantic love and physical courage, the Chinese poet typically presents himself as a humble friend, a loyal companion, or a recluse enjoying leisure and wine. Themes of friendship are paramount, while relationships with wives and concubines are treated matter-of-factly as matters of procreation rather than deep emotional mystery. The poems traverse diverse subjects including battle, social satire, the sorrow of rejected wives, seasonal beauty, and the futility of worldly ambition. Po Ch'ü-i's section specifically traces his life journey from court service to provincial exile and finally to rural retirement. His work captures the impermanence of life, the joy of wine, and a profound connection with nature. Waley notes that Chinese poetry avoids excessive metaphorical epithets common in later periods, favoring direct expression over artificial allusions or elaborate similes. The volume serves as an accessible entry point into a culture where the poet often adopts the persona of a tranquil figure engaged in simple occupations—reading, playing chess, or gardening—rather than the lurid romantic figures found in Western literature. Ultimately, the book highlights how economic necessity and Confucian duty forced many poets into bureaucratic roles, only to find solace in nature and friendship during their eventual retreat from public life.

LLM editorial rating

4.2/5

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Categories

• Poetry
• Translations