Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain

Metadata

Gutenberg ID

68762

Title

Chinese pottery and porcelain; vol. 2. Ming and Ch'ing Porcelain

Language

en

Book source

Project Gutenberg

Description max 80 words

This volume explores the evolution of Chinese ceramics during the Ming and Qing dynasties, focusing on Imperial factory challenges, artistic innovations, and the transition from traditional to Western-influenced styles under emperors like Wan Li and Qianlong.

Summary up to 500 words

R. L. Hobson's *Chinese Pottery and Porcelain* (Vol. II) offers a comprehensive historical and technical record of ceramic arts during China's late Ming and early Qing dynasties, focusing primarily on the Imperial factory at Jingdezhen. The narrative begins with the Wan Li reign (1573–1619), the final significant era of the Ming dynasty. Hobson details the rigorous demands placed on potters by stern taskmasters who supervised production for the palace. The text recounts legends, such as that of the divine potter T'ung, whose sacrifice in a kiln supposedly perfected the famous dragon bowls, illustrating the deep spiritual connection between artisans and their craft. Practical challenges also shaped this period; material shortages from exhausted clay deposits forced stylistic shifts and complaints against extravagant requests for items like chess sets and screens. The work transitions to the Yung Ch'ang (1723–1735) and Qianlong eras, characterized by Emperor Qianlong's personal artistic patronage. Under his rule, the factory produced massive quantities of reproductions of ancient Sung pieces alongside innovative Western-style designs. Hobson catalogs an extensive array of glazes developed during this time, ranging from moon white to turquoise and various shades of red and yellow. Decorative motifs evolved to include Buddhist emblems, European landscapes, and intricate floral scenes. A significant portion of the text is dedicated to the technical processes and the individuals behind them. Hobson highlights Hao Shih-chiu, a private potter celebrated for his exquisite "eggshell" cups and vibrant red wine cups, noting how his individuality stood in contrast to the rigid division of labor within the Imperial factory where artist names were rarely recorded. The book serves as both a catalog of specific wares—such as dragon bowls, covered jars, and beakers—and a treatise on manufacturing techniques. It documents the evolution from traditional Chinese motifs to the integration of foreign influences, reflecting the cultural exchange between China and Europe. Ultimately, Hobson's work stands as an essential reference for understanding the technical sophistication, artistic diversity, and historical significance of porcelain production in these pivotal centuries.

LLM editorial rating

4.2/5

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Categories

• Pottery
• Porcelain